Friday, October 28, 2016.
St. Helen’s Anglican Church (4405 W 8 Avenue, Vancouver BC)
Pre-Concert Chat – 7:00 PM
Concert – 7:30 PM sharp
French & German instrumental music from the early baroque. Tickets are available here: http://tickets.artspoints.com/events/64_Mzewest-Concert-Baroque-Treasures-with-La-Modestine
Marc Destrubé, violin
Natalie Mackie, viola de gamba
Michael Jarvis, harpsichord
Jean-Fery Rebel – Violin sonata in A major
P.H. Erlebach – Sonata in D major for violin and viola da gamba
Dieterich Buxtehude – Sonata in A minor Bux WV272 for violin and viola da gamba
Elisabeth-Claude Jacquet de la Guerre – Sonata No. 2 in D major (from Sonates pour le violon et pour le clavecin 1707)
Marin Marais – Sonnerie de Ste. Genevieve du Mont de Paris
Natalie Mackie studied cello at the Conservatoire de Musique (Québec), followed by a degree from the School of Music, University of British Columbia. While at UBC, she began studying viola da gamba as well, and later pursued further studies at the Koninklijk Conservatorium in The Hague. Natalie has played with many ensembles in Canada and the U.S., including New World Consort, Les Coucous Bénévoles, Tafelmusik Baroque Orchestra, Seattle and Portland Baroque Orchestras, Les Voix Humaines, Les Voix Baroques, Tempo Rubato, Oregon Bach Festival Orchestra, Victoria Baroque Players, Vancouver Intercultural Orchestra, and others. She has toured throughout Canada, the U.S. and Europe, playing in cities such as New York, Boston, San Francisco, at London’s Wigmore Hall, Paris, Cologne, Strasbourg, Utrecht and Bologna, among others, and has recorded for Radio France, German Radio, BBC, CBC, and NPR, as well as the Canadian label Atma Classique. She plays violone, viola da gamba, and occasionally baroque cello, in Pacific Baroque Orchestra, and the Bach Cantata Project players, and frequently appears in Early Music Vancouver’s summer Festival. Natalie also has a passionate and abiding interest in new music and performs newly commissioned works both as a soloist and with the ensembles of which she is a member.
Michael Jarvis has been called one of Canada’s finest harpsichordists, fortepianists and continuo players, and is in demand as a collaborative artist. He may be heard on Marquis, Hungaroton, ATMA, and Naxos CDs, as well as London Records, and has broadcast nationally for the CBC and in the US on NPR. Michael hosted three specials on Bravo-TV: “A Baroque Christmas”, “A Baroque Easter” and co-hosted the 13-part series on 19th-century domestic music, “Come into the Parlour”. He conducted in Toronto the premiere of the 12-tone opera “Cassandra” by Vancouver composer Ian McAndrew to rave reviews in Opera Canada. His performing editions of 17th/18th century choral and organ music have been published by GIA, Chicago. He has taught harpsichord at the University of Toronto, Wilfred Laurier in Waterloo, and Havergal College, Toronto, and fortepiano at UBC. Recently he has worked with violinist Paul Luchkow in an exploration of the Classical/Romantic sonata repertoire. Their recording of Hummel Sonatas (a Western Canada Music Award nominee, on a fortepiano from 1800) for fortepiano and violin/viola is available on Marquis Classics. His forthcoming CD on the Marquis label, the complete sonatas for harpsichord and violin (on mythological themes), op.25 by Michel Corrette, is currently in post-production. Michael lives in Victoria, BC.
Marc Destrubé enjoys a diverse international career on historical and modern violins, performing as soloist, chamber musician, concertmaster or director/conductor. He is co-concertmaster of the Orchestra of the 18th Century (Amsterdam), first violinist of the Axelrod String Quartet (Smithsonian Institution, Washington, DC) and of the Vancouver quartet Microcosmos, and is a regular guest director and soloist with the Australian Brandenburg Orchestra, the Australian Haydn Ensemble and Lyra Baroque Orchestra. In Vancouver he has been director of the Pacific Baroque Orchestra, concertmaster of the CBC Radio Orchestra and first violinist with the Purcell String Quartet. He performs regularly for Early Music Vancouver, is Artistic Director of the Pacific Baroque Festival (Victoria), a member of the Turning Point Ensemble, and concertmaster of the Oregon Bach Festival Baroque Orchestra. His recording of Haydn violin concertos (ATMA) has been critically acclaimed, and he has commissioned and premiered numerous works by Canadian composers. A highly-respected teacher, he has been a visiting artist at the Paris, Utrecht and Moscow Conservatories, the Banff Centre, University of Indiana, Case Western University, UVic, UBC and VCC. He is on the faculty of the Berwick Academy at the Oregon Bach Festival and course co-director of the Twin Cities Baroque Instrumental Programme.